The inspiration for The Prototype Collection finds its origin in a lifelong fascination with the intersection of technology and creativity. It began in my childhood, fueled by an obsession with early synthesizers and computers. I still vividly remember my first Yamaha DX100—a machine with keys so miniature I could hardly navigate them today. Yet, in that moment, it was my ticket to another world. Through summer jobs and persistent pleading with my parents, my arsenal evolved: from a Roland D-10 to the iconic Korg M1.

The allure of sitting before a screen and a keyboard has never left me. What began as experiments in my childhood bedroom has, over the past 30 years, matured into a professional career spanning studios across the globe. I have witnessed the rapid evolution of technology, yet my fundamental drive remains unchanged: the pursuit of the perfect sound and the ultimate expression.

As software transformed the music industry and classic synthesizers began to be emulated digitally, a new dream took shape. I wanted to own those legendary instruments I previously could never afford or acquire—but I wanted them in a form I could actually touch. The Prototype Collection is an artistic thought experiment, exploring what my dream instruments would look like if we gave software a physical body. It is software manifested as hybrid hardware.

With this design, I aim to challenge the traditional interfaces produced by today's major manufacturers. My ambition is to dissolve the boundaries between the digital and the analog, between the virtual and the tactile. I seek to create objects that are more than mere tools—they are meant to spark the viewer's imagination and stir the senses. This is my vision of the instruments of tomorrow.